There’s always that one song. The one where something clicks, and for a moment, you feel like you figured it out. For me, that song is Satisfied. That was the record where I stepped outside of my usual habits and really trusted myself creatively. Up until that point, I leaned more on repetitive hooks to make something feel catchy. But with Satisfied, I started playing with melodic phrasing in a different way—letting the melody carry the emotion without depending on repetition. That shift changed everything for me. I remember after I recorded it, I sat with the song for a day or two, just letting it breathe and making sure it still felt right. Then I played it for my bros, Just and Meta Soul. Both of their reactions instantly confirmed what I already felt deep down—that this one was different. And I’ll never forget—Just looked at me and said, “Bro… that’s a hit record.” That moment locked it in for me. You know how sometimes you think you got something, but you’re not 100% sure until yo...